By Luis Urrea
Luis Alberto Urrea's Across the Wire bargains a compelling and unparalleled examine what lifestyles is like for these refugees dwelling at the Mexican facet of the border—a international that's just some twenty miles from San Diego, yet that few have obvious. Urrea offers us a compassionate and candid account of his paintings as a member and "official translator" of a staff of reduction employees that supplied reduction to the various refugees hidden simply at the back of the flashy vacationer spots of Tijuana. His account of the fight of those humans to outlive amid abject poverty, unsanitary dwelling stipulations, and the felony and political chaos that reign within the Mexican borderlands explains no doubt the explanation such a lot of are pressured to make the harmful and unlawful trip "across the wire" into the United States.
More than simply an disclose, Across the Wire is a tribute to the tenacity of a those who have realized to outlive opposed to the main most unlikely odds, and returns to those forgotten humans their satisfaction and their identification.
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Extra resources for Across the Wire: Life and Hard Times on the Mexican Border
But this painting’s appeal seems emotional and historic, rather than intrinsic. The kitchen is cozily furnished indeed, with bright painted chairs, red and yellow, new-looking (too new to have been there when Frida was), the sort that one might find in any Mexican open market. And glazed plates and pottery, cooking implements. Tiny jars affixed to the back wall, high up, spell out Frida y Diego in large letters. This seemed an unlikely note of kitsch, and indeed I was later told that these names were a later addition, put up some years after the deaths of Diego and Frida.
I stand before them mute—nothing that I might record could add to their beauty. Previous to visiting Churubusco, we went to el Convento de la Merced. We met Dr. Atl, who lives there. ” Dr. Atl’s “all right” is part of him. ” Nahui’s real name is Carmen Mondragón. Nahui’s books may be interesting, but written in French and Spanish I can make no comment. But neither her paintings nor Atl’s have great value, indeed some of his murals I thought very bad, full of half-baked metaphysical striving. But Diego Rivera is so outstanding a figure in Mexican art that much of the rest seem trifling by comparison.
Was she phoning Mexico City? he wondered. She wouldn’t dare! The front door shut. He thought of the last week here, alone, in his room, and the secret, narcotic calls across continents, an isthmus, whole jungle countries of rain forest, blue-orchid plateaus, lakes and hills … talking … talking … to Buenos Aires … and … Lima … Rio de Janeiro … He lifted himself in the cool bed. Tomorrow the telephone gone! What a greedy fool he had been! He slipped his brittle ivory legs down from the bed, marveling at their desiccation.
Across the Wire: Life and Hard Times on the Mexican Border by Luis Urrea