By Michael Troyan
" during this first-ever biography of Greer Garson, Michael Troyan sweeps away the various myths that even this day veil her existence. the genuine origins of her beginning, her fairy-tale discovery in Hollywood, and her occupation struggles at Metro-Goldwyn-Mayer are printed for the 1st time. Garson mixed an everywoman caliber with grace, attraction, and refinement. She received the Academy Award in 1941 for her function in Mrs. Miniver, and for the subsequent decade she reigned because the queen of MGM. Co-star Christopher Plummer remembered, ""Here was once a siren who had intensity, energy, dignity, and humor who may encourage nice belief, recommend deep mind and whose misty languorous eyes melted your middle away!"" Garson earned a complete of 7 Academy Award nominations for top Actress, and fourteen of her movies premiered at Radio urban song corridor, taking part in for a complete of eighty-four weeks--a checklist by no means equaled through the other actress. She was once a valuable determine within the golden age of the studios, operating with mythical performers Clark Gable, Marlon Brando, Elizabeth Taylor, Errol Flynn, Joan Crawford, Robert Mitchum, Debbie Reynolds, and Walter Pidgeon. Garson's reviews supply a desirable glimpse on the studio procedure within the years while stars have been heavily associated with a selected studio and moguls resembling L.B. Mayer broke or made careers. With the advantage of specific entry to studio creation documents, own letters and diaries, and the cooperation of her relatives, Troyan explores the triumphs and tragedies of her own lifestyles, a narrative extra colourful than any position she performed on screen.
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Extra info for A Rose for Mrs. Miniver: The Life of Greer Garson
The country was beautiful;' Greer wrote. ''A Hansel and Gretel landscape, the houses looking like toys made of gingerbread and brown sugar against the dark mountains. And the little village where we stayed was something of a holiday center, the people wore bright clothes, were childlike, and gay. " As an only child, Greer had become used to a great deal of privacy. Alec never left her alone for an hour. He was, in her estimation, "possessive to the point of being medieval:' He cross-examined her about the men who had been "in love" with her and refused to take her out dining in the evening because, he insisted, tourists and students had stared at her.
Not since Michael Barry had she met a man who intrigued and inspired her, whom she admired and immediately felt at ease with as a director. She was impressed with his experimental acting methods: "To tryout little things on our own. There were always little exercises he invented, adventures of the imagination, to keep the material fresh:' Observing that his part as the rather stuffy politician was not as good as hers, Greer was grateful to find that "with his usual enthusiasm for whatever seems most worth the doing, he subordinated his job as an actor to his job as a director and went out of his way to build up my performance:' Nina and cast members began to suspect a romance.
Her elocution was, if anything, a little too precise, almost pedantic in its accuracy. With a singularly sweet smile the young woman quickly convinced me of her possibilities. Very well educated and of unusual intelligence, she suggested, in her poise and authority, a future tragedienne:' Immediately signing her to a summer-long contract, he arranged an audition with his producer, Robert Aikens, who promptly employed her as an extra A Rose for Mrs. Miniver in Shakespeare's The Tempest, which opened on June 5.
A Rose for Mrs. Miniver: The Life of Greer Garson by Michael Troyan